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Programming At Twelve Tone: An Educational Blog

Programming is an essential skill for anyone looking to enter the music industry, whether as a composer, performer, or engineer. At Twelve Tone, we believe that education is key to success in any field, and we’re committed to providing resources that can help people learn more about programming and music composition. In this blog post, we’ll be exploring some of the basics of programming, including how it can be used to create music. We’ll also provide some resources for further learning. So if you’re interested in learning more about programming or music composition, read on!

What is Twelve Tone?

In music, twelve-tone technique—also known as dodecaphony, twelve-note composition, and serialism—is a method of composition first devised by Austrian composer Arnold Schoenberg. The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded as often as one another in a piece of music while avoiding the tonal center or key. This is accomplished by organizing the 12 pitch classes into a fixed order, or series, and then composing with that series. The series can be organized melodically, vertically (as chords), or both.

One example of a melody using all 12 notes would be:


And an example of a chord progression using all 12 notes would be:


The Different Types of Programs

As a starting point, we can think about the different types of programs based on their purpose. Some programs are designed to perform a specific task, such as a word processor or a web browser. Others are more general-purpose, such as an operating system or a programming language.

There are also different types of programs based on how they are created. Some programs are written from scratch, while others are built using existing software components.

Finally, we can think about the different types of programs based on their target audience. Some programs are designed for professional users, while others are intended for consumers.

Why Use Twelve Tone?

There are many reasons to use twelve-tone composition in your music programming. Twelve-tone composition can produce very complex and interesting sounding music, which can be a great way to add variety and spice to your programming. It can also be used to create a more “serious” or “cerebral” sounding piece of music, which can be perfect for educational or classical settings. And because twelve-tone composition is based on mathematical principles, it can be a great way to explore and learn about musical theory and harmony.

What are the Pros and Cons?

When it comes to learning how to program, there are a lot of different approaches that people can take. One approach is called twelve-tone programming. This approach was first developed by Arnold Schoenberg in the early 1900s as a way of composing music. Twelve-tone programming is a method of creating musical compositions using a series of 12 notes that are all equally important. This technique is also known as serialism or dodecaphony.

There are a number of advantages and disadvantages to using twelve-tone programming when creating music. One advantage is that it can help to create more complex and interesting sounding compositions. This is because the composer has to think about how each of the 12 notes will sound in relation to the others. Another advantage is that twelve-tone programming can produce surprise effects, which can be interesting for listeners.

A disadvantage of twelve-tone programming is that it can be quite difficult to learn how to do it. This is because there are a lot of rules that need to be followed when using this technique. In addition, composing using this method can be quite time-consuming and frustrating, as it can be difficult to come up with new ideas that sound good when using only 12 notes.

What are the Guidelines?

There are a number of basic guidelines that need to be followed when programming at twelve tone. First, all notes must be played within the octave. Second, the order of the notes must be decided beforehand and adhered to throughout the piece. Third, no two consecutively played notes can be the same.

Fourth, if a note is repeated, it must be separated from itself by at least two other notes. Fifth, each group of three notes (a chord) must contain at least one tritone. Sixth, no more than three notes can be played simultaneously. Seventh, at least one note from each row must be sounded in every measure.

Eighth, the first note of each row should function as the tonic for that row; that is, it should create a sense of resolution when it sounds. Ninth, rows should generally be read from left to right; however, this guideline is not absolute, and some composers do choose to read rows in other directions or even randomly. Finally, twelfth-tone pieces should exhibit a high degree of internal consistency; that is, they should sound like “coherent wholes” rather than collections of unrelated sonic objects.

How to Get Started

If you’re just getting started with programming, Twelve Tone is the perfect place to learn. We offer clear and concise tutorials on a variety of programming topics, from the basics of coding to more advanced concepts.

To get started, simply choose a tutorial from the list below and follow the instructions. If you get stuck, our community forum is always here to help.


We hope that you have enjoyed our educational blog on programming at Twelve Tone. We strive to provide quality information and resources on this topic so that our readers can learn more and improve their skills. If you have any questions or suggestions, please feel free to contact us. We would love to hear from you!



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